“We work two years a head of time. On the hottest day of the year, we were designing Christmas prints.”
Mary-Ann Dunkley, 43, is the head of design at Liberty London. She lives in London with her husband and their two children.
My alarm goes off…
When my children run into my bedroom at 6am. I spend the next hour playing with them before my husband gets up. Then I’ll make coffee for me and breakfast for them. I’m quite a masculine dresser, so I usually wear trousers and trainers for work; I like brands like A.P.C. and Arket. On the days I have a design meeting, I wear very plain clothes because we need to check how the prints look against the body. I listen to Desert Island Discs on the Tube.
I’m responsible for…
Producing Liberty London’s two seasonal print collections every year and overseeing the bespoke design service we offer customers and brands at our studio. I manage a team of eight textile designers.
I got the job…
By studying textiles at university. I was lucky enough to have a great textile teacher at school, that’s when I fell in love with it. My first job out of university was six weeks’ maternity cover for a junior textile designer at Paul Smith. I ended up staying for 17 years, progressing to textile design manager with my own London-based team. I joined Liberty two years ago after seeing the job on LinkedIn.
My typical day…
Sees me arrive at work at 8am. I go through emails and eat the yoghurt and fruit I bring with me. I’ll then have a meeting with our eight in-studio textile artists; a lot of my time is spent discussing the best way to develop their drawings and paintings into repeat designs for fabric. They work from a brief I create for each collection, for example ‘palace gardens’. They take this initial idea and draw their interpretations of it on to paper and then I decide which designs to move forward with. We work two years a head of time. On the hottest day of the year, we were designing Christmas prints. Afterwards, I may look through our archive for inspiration for new designs. We have 40,000 images dating back to the 17th century and two specialist archivists who help guide me through it all. I stop for lunch at about 1pm and grab a salad from Urban Tea Rooms. I take this time to have a wander around the store.
In the afternoon, I often meet with brands who are working with our fabrics all over the world. They usually give us an idea of what they’re looking for and we put together ideas to inspire them further. Then, we develop these into their own bespoke printed Liberty fabrics. We have daily deadlines to meet for this service. I travel to our mill in Italy, where the fabric is produced, every two months and I’m in constant contact with the team there over email. I leave work at 6pm.
My most memorable moment…
Is when I saw my first collection for Liberty last year. It felt amazing.
The worst part of my job…
Is being the one to make the decision. It’s horrible when you have to say no to something someone has spent time on.
The best part of my job…
Is being surrounded by pattern, I’m like a kid in a sweet shop!
After work…
I spend time with my kids before they go to bed at 8pm. Then my husband cooks dinner. He’s an amazing chef and loves vegetarian food, usually from an Anna Jones book. I check my emails and look at magazines for inspiration. I’m always searching for new ways of using pattern. I’m asleep by 10pm.
My Plan B: Artist
If I wasn’t at Liberty, I would be making and selling art in my own studio. The only thing I’ve lost in my job is the chance to paint and draw every day. It would be big and bright.
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